Interview transcripts: final draft
Here is the final draft of the edited transcripts of the cinepanettone interviews which were excerpted in the previous seven posts (1, 2, 3, 4, 5, 6, and 7). This puts all those transcripts together, or the most interesting bits, and is the draft - all 18,500 words of it - I hope to include in the project monograph. I have tried to do something formally satisfying as well as informative with the material Luca Peretti and myself got in our conversations with fans, actors, directors, screenwriters, editors, composers, critics, scholars and sceptics - all of whom I have tried to grant an equal authority in a discursive collage. I have attempted to retain something of the feeling of a verbal exchange, even to the extent of annoying at least two of our interviewees who objected to their informal representation in the online transcripts (I was obliged to modify their contributions). The chapter in the book will have an introduction, and perhaps I’ll rearrange some of the sections below, but if readers agree the following is lively and engrossing I don’t intend to edit it any further. (But see here for information about a change I did make…)
Interview transcripts (6): parlano gli scettici (Antonangeli, Garofalo, Missaglia, Schirò, Uva)
In this sixth edited transcript from the interviews conducted by Luca Peretti and myself on the cinepanettone I excerpt the words of four members of a focus group of male university graduates aged between twenty-four and twenty-six: Riccardo Antonangeli, Damiano Garofalo, Nicola Missaglia and Enrico Schirò. As I explained to them, there were representatives for us of a certa intellighentsia who I hoped would help us to discern the substance of, and get some of the reasons for, a widespread dismissive feeling towards the cinepanettone on the part of those who consider themselves educated and culturally well-informed. The next post will be about the fans of the cinepanettone, but these are among the sceptics: I want to take seriously the perceptions of the public, sympathetic or unsympathetic, to help to understand and analyse the appeal or not of the film di Natale.
Gli scettici: Garofalo, Antonangeli, Schirò, Missaglia
Joining the four members of the focus group is the academic Christian Uva, who teaches film at Roma Tre University and who has appeared several times in this blog (see here and here). Christian is the author of the best study I’ve found of the films of Neri Parenti, in which he is brilliant on the persona of Christian De Sica (see the end of this post for details). Our conversation focussed on the ideology of the cinepanettone and on some of its formal characteristics.
Appassionati per caso: Srivastava, Uva, O’Leary