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Interview transcripts (5): parlano gli attori (Boldi, De Sica, Ghini, Tabita)

 

Boldi and De Sica: even great love stories must end

Continuing from four previous posts (here, here, here, and here), more edited transcripts of the interviews myself and Luca Peretti have done about the cinepanettone, this time with the actors Massimo Boldi, Christian De Sica, Massimo Ghini and Barbara Tabita.

Natale in Sud Africa:Ghini, gurning, and Belen, verso

These were the most difficult interviews to do, and have generated the least interesting results - perhaps. Actors are very practiced at interviews and will often repeat material they know has entertained in the past. This was certainly the case with De Sica, who repeated stuff almost verbatim I had read elsewhere (the context itself was unfortunate: his mother had died the previous night after a long illness, but De Sica graciously preferred to go ahead with his appointments). Ghini’s was less an interview than a monologue that Luca and myself interrupted at irregular intervals. But at least those two interviews were face to face, which meant one could probe and respond politely. I’ve discussed the problems of my skypephone interview (audio only) with Boldi here, and I only recently managed to get an interview with a woman involved in the cinepanettoni, having failed to convince both Nancy Brilli and Sabrina Ferilli that I was anything but a sinister stalker geek. A colleague happened to know the Sicilian actor Barbara Tabita, who stared in Natale in Sud Africa, and the latter was kind enough to reply by email (from her iPhone) to my questions. Inevitably, I think, her responses were a little anecdotal and I would have liked to have been able to ask supplementary questions about a theme she was most interesting on, that of the body of female actor in a masculinist cinema culture. 

The interview with Boldi took place in just before Christmas 2010, with De Sica and Ghini in January 2011, and Barbara Tabita sent me her answers by email in February 2012. My questions are signaled with an ‘A’. The interviews have been transcribed by Luca and Damiano Garofalo - sincere thanks to both of them.

Natale in Sud Africa: De Sica and Tabita on the menu

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    • #massimo ghini
    • #Christian De Sica
    • #Neri Parenti
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    • #Guido che sfidó le Brigate rosse
    • #Satyricon
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This is my research blog for the project 'Holiday Pictures: Ritual, Genre, and Italian National Cinema' on the series of films released in Italy every December and colloquially referred to as 'cinepanettoni' (‘film-Christmas-cakes’). I am posting images, notes on the films, on secondary reading and on my methodology, reports on interviews, etc. The blog was intended as a public notebook for the short book in Italian I've written on the 'filone' (sub-genre), Fenomenologia del cinepanettone (Rubbettino, 2013).

Luca Peretti (Yale University) is working with me as my research assistant on the project.

Email Alan directly

See also my blog on teaching Italian cinema at the University of Mumbai.

The project is supported by the AHRC (UK) and the University of Leeds.

Alan O'Leary

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